Friday 11 November 2016

Geo and Demographics: kiera

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City of God opening

In the opening sequence of city of god, they use flash cuts to emphasise the speed of the knife and the fast paced favela community preparing food, this in turn evokes a sense of excitement in the audience. The parallel music that is placed in the scene is often associated with Brazilian culture so the audience know where it is set. The use a close up shot of the knife paired with the dull blue and grey colour scheme connate the un friendly atmosphere and establishes the genre of the movie and as an audience we assume that it is crime and drama based. The close up of the chicken paired the pleonastic sounds of the knife being sharpened illustrates the togetherness of the community and that food is very big part of it.

As the sequence continues there is extreme close ups of other different types of foods. This tells the audience that it is probably one of their main sources of income and a way that they survive. The  diegetic  sound of the drumming suddenly stops and cuts to an extreme close up of a chickens, which then jump cuts onto the bowl of blood which suggests that there will be deaths in the movie and therefore the audience feels a sense of safety as they are not there. This closely links with Blumer and Katz theory as the film is providing a sense of escapism from their everyday day lives.

The camera shows a close up of a piece of string tied around the chickens’ ankle which could be a representative of rocket in that he is constrained to this favela community. However when the chicken breaks free it tells the audience that rocket might get out of his situation.

The audience feels a massive build-up of tension as the group of boys running after the chicken which is presented through a low tracking shot and handheld shots which creates a sense of verisimilitude and makes the audience feel as though they are evolved in the scene. There is then a crosscut between the scenes to where rocket is talking to his friend. There is large of juxtaposing shots and different angles which make the audience feel how chaotic the situation is.  There is a long shot of the gang is shown with guns, the audience can see that the man speaking is the group leader of the gang and is armed. This highlights the fact that the film key theme in the movie, in that killing is big part of it. It is also demonstrates that the community is separate as every gang member has a gun.

The power roles in the chase are presented through the use  of the  over the shoulder shot from behind the gang leader from a high angle whilst the victim is on the floor, the audience attention is captured as this shot shows how much power the gang leader has and how everyone is scared of him in the slum.

The audience feel exhilarated as the chase continues and the two crosscut scenes come together as rocket is faced in catching the chicken as the gang confront him. This symbolises the collision the two worlds and values. The 180 degree rule is used to show how surrounded rocket is and puts the audience on edge because they feel like he has no escape. This is emphasised by the slow motion which builds up tension. They have also chosen to use a graphic match when the shot flashes to when he was younger. This paired with the freeze frame makes the audience feel as though we need to get to know rocket before the next situation happens. The fact that it is a voice over and in first person tells the audience that it is going to be his story and that he is the main protagonist in the movie. The juxtaposing colours from his current situation to his past show that he used to live in a much happier environment when he was younger. The bright yellow and orange illustrate how innocent they all were but now have been affected by this community.